Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Agalis Manessi is a ceramic artist working from studios in London and Corfu, where she was born. After studying ceramics at the Central School of Art & Design, she was inspired by the teachings of Gordon Baldwin, Eileen Nisbett and Dan Arbeid who encouraged her enthusiasm for the plastic qualities of terracotta clay. After graduation she set up a studio in Hackney where she was a founding member of Broadway Ceramics and taught in further education. In 2018 she relocated her studio to Kennington in south London.
Sophie MacCarthy has always been drawn to random scatterings of leaves on the ground. Scatter and flow, rhythm and movement are consistent themes in the decoration of her earthenware pieces, along with a bold and joyous approach to colour.
After a career in social work, Rachel moved to her partner’s home country of South Africa where her two children were born. The energy and beauty of the landscape, and the people, rich in making and creativity, rekindled her own love of art, architecture, design, and creativity.
Ant first encountered pottery in primary school. His teacher, Mr Wright introduced him to clay and planted the beginnings of a lifelong passion. He started out as a science teacher but gave up teaching in his late twenties after years of evening classes and moved to Lincolnshire to set up his own pottery workshop.
The Peak District Pennine landscape and seasons are the backdrop to everything Timothy does. He makes pottery on the border between function and sculpture: in essence vases, bowls, bottles and cups, though these are really just what he calls 'serving suggestions'. His work is multiple-fired, often starting with the wood kiln and ending with lustres.
The functional wheel-thrown pots that Carl creates are modest but highly
considered and precisely made, sometimes altered when wet, often with
spontaneous, energetic surface marks. Everything is conceived in the
knowledge that his work will be wood-fired.
