Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Matthew’s work explores the links between ceramics and geology and place, making pieces entirely from geological samples that he has collected from specific locations around the country, and that illustrate the ceramic qualities inherent in these materials.
David was born in South London and trained in Graphics and 3D design. After working in art education for many years, specialising in ceramics, he took early retirement to concentrate on his own work and established his own workshop in the Forest of Dean where he now produces a range of hand-built ceramics.
Tiffany Scull works from her Dorset studio based on the beautiful Isle of Portland creating ceramic forms decorated by hand with detailed sgraffito drawings of many different plants and animals from around the world. She started her journey and development of using sgraffito 20 years ago and has been a professional ceramicist for over 18 years. Over time she has developed a very distinctive and unique way of painting with clay slips, carving and using sgraffito to draw her designs onto each form.
Angela has been working in ceramics for over 50 years. Her first experience of clay was at after school class, leading to a Foundation Arts Course in Derby, then a BA in Wolverhampton, and an MA at Royal College of Art London. The latter two degree courses were very open-ended and encouraged exploration of other materials and a wide variety of working methods. This suited Angela as she has always been interested in both industrial production processes and sculptural techniques.
“I aim to blur the dividing lines between art and craft. I use clay or porcelain as my canvas, creating illustrated plates for installations or vessels as sculptural displays. The themes include zoom meetings, refugees, masks, musicians, people at rest, funny faces, at the café, at the beach, at the Met, and conversations across time.” – Gail Altschuler.
Before Tony established his own studio in 1988, he studied ceramics and then worked in the ceramic industry in Stoke on Trent (including as a designer for Coalport China, part of Wedgwood). His background in the industry gave him a broad appreciation of ceramics and techniques. He is interested in the art ware produced by Royal Doulton in the late 19th and early 20th centuries, but also fascinated by the work of French potters such as Clement Massier.
