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Championing the very best independent ceramic makers for over 60 years

Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.

 

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Meet Our Makers

All of our makers are members of the Craft Potters Association and each of them have a story to tell.

Rachel Foxwell

Rachel studied Ceramics at Cardiff School of Art and Design, graduating in 2000. Inspired by the ever-changing colour and light within the landscape, Rachel combines artistic expression with traditional craft skills and an innovative decorating technique to create abstract compositions on a clay canvas.

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Billy Adams

His work is influenced by landscape settings, especially the wild rugged beauty of Connemara and Donegal, and the dramatic West Wales coastline. He incorporates geological elements, natural colours, as well as the marks of human activity on the landscape into his vessels. He is interested in addressing the relationship we have with the landscape.

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Carl Gray

The functional wheel-thrown pots that Carl creates are modest but highly
considered and precisely made, sometimes altered when wet, often with
spontaneous, energetic surface marks. Everything is conceived in the
knowledge that his work will be wood-fired.

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Rosalie Dodds

Rosalie has always been inspired by forms and textures in the landscape and seashore, especially chalk cliffs and flint seams found locally. These have been starting points for textures on her pots.

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John Pollex

John Pollex has carved his own niche into the world of studio pottery. Translating his interest in Zen calligraphy into the spontaneous and mesmerising display of colour his work is known for today.

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Peter Bodenham

Informing and framing his ceramic practice are a range of sources including the processes of walking the coast, swimming along its shore, gathering objects, materials and studying its intertidal ecology and geology. Images, motifs and gestural marks brushed or drawn into the surface of both his functional pots and the sculptural vessels can be seen as direct traces of his phenomenological experience.

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