Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Julian first made a coil pot at school in 1968 and was immediately hooked - and very well supported by teacher David Buchanan to pursue his passion in exploring what could be made by hand-building with clay. Other than what he was empowered to discover at school, he had no formal training.
Chris was born in 1959. His introduction to clay began at adult education classes in Islington. He went on to study Sculpture at St. Martins School of Art, London and graduated in 1982. Chris has moved around the country over the last decades. He helped set up the Chocolate Factory studios in Hackney, London in 1995. In 2006, he moved to Argyll, Scotland to set up another pottery. By 2009, Chris relocated to Cumbria setting up a new pottery in a converted farm building.
Sabine completed an apprenticeship as a thrower in 1998 with Hans Joachim Grünert in Waldenburg (Sachsen) in East Germany, followed by a three-year training as a production thrower where she was introduced to wood firing. She became enthralled by the high demands of wood-firing. In 2000, she came to England to gain more experience and met fellow potter, Nic Collins who became her partner. In 2001, she moved to Devon.
Hilary's practice responds to observed details in the landscape with current focus on the geology and topography of the Suffolk coast, a place she has frequented for over 20 years; where the flat land meets big open skies and has a beguiling beauty all of its own. Erosion is a constant theme of this exposed coastline. The elements, battering, wearing, sculpting; imprinting the landscape over time and leaving their mark.
Matthew’s work explores the links between ceramics and geology and place, making pieces entirely from geological samples that he has collected from specific locations around the country, and that illustrate the ceramic qualities inherent in these materials.
Jane trained at Camberwell College of Art and at the Royal College of Art and has won several awards for her work including the Wedgwood Scholarship for surface design.
Working across a range of making methods; throwing, jolleying, casting and hand-building, pieces are designed to stand alone or as part of a set. Colour plays a central role in Jane’s work and she is greatly inspired by patterns found in nature and landscape, notably in France the Caribbean and the Isle of Wight.
