Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Margaret was introduced to clay at Bolton College of Art and studied at Stoke-on-Trent School of Art under ex-Bernard Leach apprentice Derek Emms. It was here that she met her husband-to-be, David Frith. They established their first workshop in the mid sixties and have been based in their 18th Century woollen mill workshop in Denbigh, North Wales since 1976, where they continue after fifty years to teach and create their own work.
Sun Kim is a Korean ceramicist born in Saudi Arabia. She received her first BA in Fine Arts in Brazil where she grew up. Following that she continued her studies in ceramics, graduating with a second BA from Alfred University, New York in 2003. In 2004, she moved to the UK to undertake a studio assistantship with Edmund de Waal. In 2007, she set up her own practice in South London where she is currently based.
Clare Conrad's work is an exploration of colour and texture, inspired by the effects of light and ageing on architecture, artefacts and landscape. Her technique of layering vitreous slip onto wheel-thrown vessels, vases and bowls creates a rugged texture.
The careful traditions of English slipware are unseated and then thoroughly reworked through the ceramics of Dylan Bowen who has taken this English inheritance and very definitely made it his own.
While still at school Sotis displayed a talent for art and developed a keen interest in three-dimensional art in particular. He later enrolled in a four-year degree course at the Athens School of Ceramics. After his degree he came to the UK
David was born in 1943 in Lancashire, he trained at Flintshire Technical College, Wimbledon School of Art, and Stoke on Trent College of Art, studying under Derek Emms. After meeting and marrying Margaret, a fellow potter, they established their first workshop in 1963 in Denbigh, North Wales.
David’s work descends from the Leach and British Studio Pottery tradition, where the aesthetics and ideologies of the East and West ignited a new tradition of high fired ceramics. He makes large bottles, jars and platters with a base celadon glaze decorated with his personal style of hakeme, rope impress and waxed motifs under heavy reduction overglazes and combined with ashed surfaces.
