Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Mark makes black and white domestic slipware using a combination of traditional craft and modern industrial ceramic techniques, in a contemporary take on Staffordshire slipware. Currently, he is developing his tableware and large functional work into sculptural one-off pieces.
These include slab built, stacked designs for sculptures which depend on gravity to interlock. He is also experimenting with platinum lustre transfers to exploit the differing reflective qualities of glazed and lustred surfaces.
Moyra Stewart has worked in clay for more than forty years after graduating from Edinburgh College of Art in 1979. Her work has been exhibited across the UK, in Canada and Japan, and in 2015 she was awarded Craft & Design Maker of the Year prize.
Jo specialises in wheel-thrown porcelain and works from her studio in Hackney, East London. Her practice includes hand-making a fine porcelain design range, lighting and unique objects. Her individual approach to wheel-thrown ceramics, where high-fired porcelain often appears paradoxically to be fresh off the wheel, balances softness with rigidity, smoothness with weight and tactility.
Paul Philp has been making ceramics for over fifty years. Uniting refined classic forms with highly tactile surfaces to create pieces of strong individual identity Paul builds each piece by hand.
Juliet Macleod makes wheel-thrown porcelain that imparts an evocative exploration of the Scottish coast. Using a distillation of drawings and photographs made over many years, she creates contemplative pieces which hope to engage the viewer and spark their own memories.
From an early age Penny enjoyed playing with clay at home as her mother had a small pottery studio. However, it was not until she lived in Japan in her twenties that she became more seriously interested in making pots.
