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Championing the very best independent ceramic makers for over 60 years

Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.

 

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Meet Our Makers

All of our makers are members of the Craft Potters Association and each of them have a story to tell.

Anne Butler

Anne Butler trained in Ceramics in the University of Ulster and the University of Wales in Cardiff and now works from her studio in Northern Ireland. The Eclipse vessels are inspired by the light and shadows cast in the urban environment.

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David Binns

Following a childhood passion for making, David studied wood/metal/ceramics at Manchester Polytechnic. Following an introduction to traditional Japanese architecture, David developed a broader fascination for Japanese craft and aesthetics, which led him to write his dissertation on Raku.  Researching the Raku process in turn, led to meeting master Raku maker David Roberts who offered David an opportunity to work with him.

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John MacKenzie

John completed a degree in ceramics at Harrow University in 2001 where he became intrigued by wood-fired ceramics and kiln building. He has since built several wood-fired kilns and has been exploring the unique colours, surfaces and effects which can only be achieved with this process.

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Stephen Parry

Stephen Parry first trained at Croydon College of Art between 1974 - 1977, then moving on to Dartington Workshop until 1979 before discovering a passion for wood-fired ceramics in France.

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Yusun Won

Yusun is drawn by the vessel form. She found a way to explore vessel forms while observing a bottle from the Korean Joseon Dynasty which was constructed by joining two different forms. Looking at the attached part of the bottle, she imagined opening the enclosed part and seeing what was hidden inside.

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Angela Mellor

Angela has been working in bone china since 1991 using traditional slip casting techniques: designing her own models, making plaster moulds, and finally slipcasting translucent pieces. Conventional forms, vessels, bowls and plates retain both their functional identity but also serve as a natural canvas for decoration. Her work develops in series mostly inspired by nature; depending on the decoration each series has its own identity.

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