Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Kay Aplin graduated in 1995 from Chelsea College of Art, specialising in ceramics and glass. Since then, Kay has had a successful career as an architectural ceramist, producing a distinct range of site-specific commissions for the public realm around the UK and internationally.
“I aim to blur the dividing lines between art and craft. I use clay or porcelain as my canvas, creating illustrated plates for installations or vessels as sculptural displays. The themes include zoom meetings, refugees, masks, musicians, people at rest, funny faces, at the café, at the beach, at the Met, and conversations across time.” – Gail Altschuler.
Jane is a self-taught ceramicist and began coiling and smoke firing over 30 years ago. She worked for many years as a lecturer in art specialising in ceramics and finds inspiration in neolithic landscapes and artefact. Living on the Somerset/ Wiltshire border provides rich source material.
The meditative simplicity of coiling is a fundamental part of her practice. Jane is fascinated by the universality of clay and how it lies at the heart of the human experience. She travelled widely in Africa researching the spiritual use of clay and visiting remote pottery communities, running workshops in the Namibia and Kalahari deserts with funding from the British Council.
Born and brought up in Norwich, Richard has been making pots since the early 1970s. After studying for two years at Great Yarmouth College of Art, he worked from 1974 to 1980 at Le Dieu Pottery in Norwich before spending 3 years in Australia and New Zealand, and a further five in Germany.
He is inspired by Hungarian and Romanian slipware from the 1800s and by English country pottery. Recently his work has explored colour and abstract patterns in strong forms that capture the ebb and flow of the sea and the landscape of South West Dorset.
Björk’s professional background is in Architecture and her work remains unequivocally architectural to her eyes and is influenced by her training and profession in many ways. However, natural forms reflecting her upbringing in Iceland and exposure to the extraordinary in nature are also reference points.
After studying glass and ceramics at the University of Sunderland, Craig completed an MA in ceramics at the Royal College of Art. He was drawn to clay for the immediacy of its modelling properties, enabling him to realise his ideas with dynamism. His work is inspired by the elegance of a bygone era, particularly the work of cartoonists and illustrators from the 50s and 60s such as Miroslav Sasek and Ronald Searle, whose economic use of line define characters and tell stories.
